Amanda Gill

Amanda Gill, Founding and Former Artistic Director and Instructor

Amanda Gill is DC Casineros’ Founding and Former Artistic Director, a choreographer and a Current Instructor. She founded the company in 2005 and continues to contribute through instruction, including children’s classes at Glen Echo. A professional dancer with a background in ballet and modern dance and extensive Afro-Cuban dance training, her current teaching focuses on Casino and Son. She is highly skilled in Afro-Cuban modern dance techniques, including their use in warm-ups, and can also teach Rumba and other Cuban popular dances.

With Adrian in Vancouver

Amanda Gill and Adrian Valdivia together at the waterfront in Vancouver, Canada
Amanda Gill and Adrian Valdivia in Vancouver, Canada. Explore our international work.

Teaching Across Communities

Amanda has brought Casino and Son from Washington’s social dance community into schools, festivals and guest workshops. In April 2016, she and Adrian taught at a workshop and fiesta in Bloomington, Indiana. Their teaching continued at a Casino and Son weekender in Lexington, Kentucky, in August 2026.

Explore Amanda’s Teaching and Performance

At the Kennedy Center, Amanda has shared Son and Cha Cha Chá with Ramsés Sariol through Dance Sanctuaries. Her guest-artist work with Carla & Company connects this teaching journey with her background in ballet and modern dance.

Amanda, Adrian and Naomi also taught a children’s workshop during Artes de Cuba in May 2018. Read about our Kennedy Center youth and family work.

Her experience of community connection through Rueda de Casino led her to explore its relationship to dance/movement therapy in graduate school.

Amanda’s Path Through the Company’s Story

Her founding work, teaching and choreography connect different chapters of DC Casineros’ history.

Explore her milestones: Cuba, the company and the classroom
  1. 2004 · Learning and dancing in Cuba. Amanda studied in Havana at the Instituto Superior de Arte, practiced with a neighborhood Rueda team and appeared on Para Bailar Casino. See her first Rueda performance.
  2. 2005 · Founding DC Casineros. She brought those experiences into a company rooted in Casino, Rueda de Casino and Cuban cultural relationships. Read the company’s story.
  3. 2015 · Building a shared teaching practice. Amanda contributed warm-ups, footwork and Casino instruction alongside fellow company teachers. Explore her educational work.
  4. 2018 · Bringing musical history to the stage. Amanda contributed to the concept and individual/shared choreography of Bailando con Formell y Los Van Van, working with Adrian and the production’s other artists. Read about the choreography and collaborators.
  5. Continuing today · Teaching and community. As Founding and Former Artistic Director and a Current Instructor, she continues to contribute through classes and youth and family programs. Explore youth and family learning.

Raised in northern Virginia, Amanda trained in ballet, modern dance, and African dance, and performed with Ashe Moyubba, George Mason University Dance Company, and Carla & Company. Her studies at George Mason University and educational travel with professor Jim Lepore to Santiago de Cuba opened a lasting connection to Cuban popular and social dance. In 2004 she continued her studies in Havana at the Instituto Superior de Arte, practiced daily with a neighborhood Rueda de Casino team and appeared on the Cuban television program Para Bailar Casino. That first Rueda performance was an early milestone in the journey that led her to found DC Casineros.

Amanda’s Cuban dance training has included Aramis Pazos and Oscar Rousseaux. In Santiago de Cuba, she studied Haitian dance with Cutumba and Casino styling with Yanek Revilla. She has shared that training through teaching at Dance Place, DC Dance Collective, congresses, schools and festivals. Capital Congress · 2012.

Amanda’s movement style draws on the body isolations of Son and rumba, Orisha dance traditions, and modern dance. She earned an MA in Dance/Movement Therapy from Lesley University, worked as a family therapist in Boston, and taught Rueda de Casino at the Masacote School. In 2012 she returned to Washington to co-direct, teach, and perform with DC Casineros.

Amanda’s 2011 master’s dissertation at Lesley University examined group social dance and relationships between hospital staff and patients. This research brought her Rueda de Casino practice into conversation with dance/movement therapy and her interest in building connection through shared movement. Explore Amanda’s professional work.

Her festival history includes participation on the Cubamemucho staff in Europe with Adrian Valdivia and Patricia Rivera in 2009, and the Ritmos Latinos Indiana Workshop & Fiesta with Adrian in April 2016. She brings her dance and family programming experience to DC Casineros’ youth and family programs.

2015 · Welcoming All Stars

Amanda’s years as DC Casineros’ founding artistic director included the landmark 2015 exchange with Compañía All Stars from Santiago de Cuba. DC Casineros and Dance Place organized a performance and teaching tour, and the two dance companies shared the stage in Somos Cubanos on March 6, 2015. The visit connected the company’s theater work, teaching and community dancing with a lasting chapter of Cuban cultural exchange in Washington.

Explore the 2015 All Stars collaboration · See photographs and performance recordings

Building a Practice of Teaching and Creating

Education in the Studio and the Community

In fall 2015, Amanda taught alongside Adrian, Alex and Bex in a Casino partnerwork program that brought together warm-ups, footwork, technical study, beginner and intermediate practice, and a monthly Club de los Soneros. Studio learning and community dancing supported one another: students could practice the skills they learned in class on the social dance floor.

Her educational work continues through youth and family programs, including children and parents at Glen Echo Park. These opportunities connect her founding vision with the experience of new dancers today.

Choreography That Tells a Musical History

Amanda and Adrian developed the concept for the company’s 2018 Los Van Van production together. Amanda choreographed Que Palo es Ese?, with input from Patricia Rivera and Adrian; co-choreographed Deja La Boberia and Chirrin Chirran with Adrian; and collaborated with Kati Hernandez on Cada cual de ellas tiene su historia. Their individual and shared choreography brought different artistic voices into the history told onstage.

Watch the Los Van Van theater archive · Follow the company’s story · Explore our history lectures

Amanda’s First Rueda Performance in Havana, 2004

An early milestone in her Cuban dance journey: Amanda’s appearance on Para Bailar Casino, before the founding of DC Casineros in 2005.

Watch on YouTube · Read Adrian’s account of the company’s beginnings

Son Performance · CubaSon Congress 2023

Amanda and Adrian perform Cuban Son at CubaSon Congress, 2023. Watch on YouTube.

Watch Amanda and maestro Juan Carlos Pacheco’s Son demonstration · Explore the company’s international work

Watch & Learn

Son Urbano · Toda La Familia

Amanda Gill and Adrian Valdivia perform their Son Urbano choreography at the Toda La Familia weekender.

Watch on YouTube

From the dance archive: Amanda and Adrian exchange lead and follow roles in Casino, 2014.

Teaching: Vacila, Coca-Cola, and Olguín with Amanda and Adrian.

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